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DCA


If you are a doctor or lawyer looking to do more TV, click here.

TALENT:
Because of many recent placements, w
e are once again searching for people who have not reached their ultimate level.  

We look at ALL tapes and dvd's, so feel free to send!

HIGH-SPEED SURFERS: CLICK HERE TO GO TO OUR DYNAMIC SITE

  • We get jobs for TV Anchors, Reporters, Meteorologists and Sports types.
  • We place 90% of our clients within four months of starting a search.
  • We make a resume, dvd, tape and web page (with streaming video) for you.
  • The only time we don't answer our phone is when we are sleeping, eating or exercising.

Persons interested in representation should send tape, resume and short cover letter to our office in North Carolina (DVD, DVCPRO, DVCAM, mini DV or VHS only--- no BETA, please):


Steve Swienckowski
DCA
124 Ammons Drive
Raleigh, NC 27615-6501




please read our
DCA FAQ (frequently asked questions).
(Every time someone asks us a question, we answer it here).

MORE KUDOS FROM MANAGERS REGARDING OUR DVD PACKAGES:


Steve:

Have I mentioned to you how much I like the way you guys package your DVD’s these days? Very sharp.

Cheers,

Forrest Carr
News Director
WFTX-TV Fox 4
Cape Coral, FL


From: Kathy.Williams (ND at KRIV, Houston)
Subject: May I just say ?
To: steve@davidcrane.com

That of all the agencies, yours has the best packaging of everyone ! Nice envelopes---well done!"



CT logo
NEW: DCA Joins Collective Talent
click here for more info



MANAGERS:

Our new Talent Search Engine is up and running and the feedback has been fantastic!

Click here to read just a few comments from managers who have tried the site for themselves.

For a free pass-key to our new search engine, please call 919-870-9121 or email steve "at"davidcrane.com


See instant videos and resumes on your desktop of qualified TV news talent


Don't drag your feet!

If you're near the end of a contract or facing unemployment, and you're thinking about signing with an agency (even if it's not us), do it now! Why? Because time's a wastin'.

We often get tapes from people who are near the end of their ropes. By the time they sign, we have little or no time to improve their look or on-air performance.

Lesson learned: It's much easier to find a job while you're already working. Don't wait until the last second. Those last few months or weeks on a job can help us tremendously as we work to improve your skills and get you a better situation.


It is our experience that our clients sign with DCA for one or more of several reasons:

  • Most people don't have time to look for a job (finding a job is nearly a full-time job in itself).
  • Most people don't know how to properly assemble a good tape and resume.
  • Most people don't have the contacts and connections we do ("It's not what you know...")
  • Most people don't feel comfortable representing themselves in a negotiation situation.
  • Most people don't know the difference between a good contract and a bad one.
  • Most people don't have a friend who's been through this before and will be there to help when they need it.

We understand that some agents do not produce a master tape for you---they actually have their clients make the master! For all DCA clients, a DVD master is produced using all-digital, non-linear editing technology. That means from the raw material sent to the agency to the VHS tape sent to a news director, only one generation of quality is lost due to dubbing. A small color photo is also added to each client's paper resume, and a photo/label is place on each tape, to enhance their effectiveness. We also stream your video to news managers direct to their desktops and we produce a web page for you (click here to see an example).

During a panel discussion of job search techniques at NorCal RTNDA, a news director from San Francisco displayed one of our tapes as the best example of how a resume tape should be packaged.


DCA likes to say it offers the Three C's:
Coaching, Connections, and Contract Savvy.

COACHING

Our teaching experience, on-air success and award-winning performance skills translate into meaningful and insightful critiques for you.

CONNECTIONS

Although we do subscribe to all the major trade publications and on-line job listings, the best job leads inevitably come to us directly from managers. Many times a news director will tell us about an opening weeks before it is ever listed elsewhere. Sometimes a job opening is never listed (or listed after it is filled), so the only persons who may ever know about it are the agency and its clients.

CONTRACT SAVVY

When it comes time to negotiate, only experience will lead to a deal that's best for you. Steve has been negotiating contracts on behalf of clients since the 80's.

PLUS!

We are available! We hear complaints all the time about how people can't reach their reps. We like to joke that the only time you won't get us is when we're eating dinner OR when we're sleeping. We invite our clients to call us ANY time: after midnight, on weekends---you name it. We'll be there for you.


The David Crane Agency was founded in San Francisco in 1980. Prior to that time, David Crane had been a founding partner of Entertainment Response Analysts (ERA), a television news consulting firm. One of David's partners at that time was the legendary Don Fitzpatrick. In 1979, ERA merged with another company to form a new research and consulting firm called Audience Research and Development (AR&D). Soon afterward, David sold his interest in the firm and started the David Crane Agency, specializing in placement of broadcast news talent. He and his wife, Barbara, retired in 2005 to Olympia, Washington.


Crane four

Steve Swienckowski joined DCA in 1999. He started his job-finding and coaching agency in 1989 after hearing complaints about other "talent agents" from news directors and talent alike. Steve's TV career includes stops at CNN, the Cartoon Network, KTVU in San Francisco, Kansas City, Sacramento and Raleigh. His broadcast career began in 1977 in radio as an on-air personality. He last worked on-air in Los Angeles radio before making the move to television. Steve also served as Chief Instructor for The Broadcast Workshop, a private post-secondary broadcasting school in Southern California. He worked as a Weather Anchor, a Feature Reporter and a Sports Anchor before returning to college at the University of Kansas to pursue meteorology. In 1999, Steve won the top prize at the International Festival De Meteo (Weather Festival) held in Quebec City. (Click here for photos and more information about the festival.)

Sun Pak joined the agency in 1999. Sun is a Certified Public Accountant with a background in auditing, corporate financial analysis and systems implementation. She has worked for several major corporations and Duke University. She collects the money!


We are not like other agencies out there who represent TV news pros. We are not lawyers based in New York or Hollywood. We are experienced news people who have been there.

The DCA client base is nationwide and in markets of all sizes. The agency has a total of 90 clients, and about a third are currently seeking new positions. Persons interested in representation should send tape and resume to our office in North Carolina (DVCPRO, DVCAM, mini DV or VHS only--- no BETA, please) :

Steve Swienckowski
DCA
124 Ammons Drive
Raleigh, NC 27615-6501

email: steve@davidcrane.com

NOTES ABOUT SENDING MATERIALS: if you are sending vhs, make certain your dub was recorded at SP, the fastest speed. If recorded at the slower LP or SLP, your tape quality will suffer (especially the audio). Also, be sure to ship your tape in a padded envelope or box! You would not believe how many tapes arrive here damaged.

CONGRATULATIONS TO OUR CLIENTS

DANNY HARNDEN now shares Primary Sports Anchor duties at WGHP, Greensboro.

VALERIE ABATI to Evening Meteorologist, WLWT, Cincinnati.

MACE MICHAELS to Chief Meteorologist at KGAN in Cedar Rapids.

Meteorologist DAVID ERNST to Weekends at WSAV, Savannah.

TISHA POWELL, Primary Co-Anchor, WTVD, Raleigh-Durham.

DAN GODWIN, Noon Anchor and Morning Reporter/Anchor, KDFW, Dallas.

DAVE TRYGAR to Freelance Meteorologist, KDKA, Pittsburgh.

PATRICK McKEE  to Morning Meteorologist, WSLS, Roanoke.

GLENN RICHARDS, Chief Meteorologist, WOFL, Orlando.

ANDREW CHUNG to Weekend Morning Meteorologist at KVIA in El Paso.

JoDEE KENNEY, Morning Anchor, Capital News 9.

Meteorologist TODD BOREK to Mornings, WKYT, Lexington.

KERRI O'HARA to Early Evening Anchor and Reporter, WMBF, Myrtle Beach.


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Dubbing Services

THESE SERVICES ARE NOT FOR OUR CLIENTS! If you are a client, you pay nothing for dubbing and shipping.

We can make a digital copy of your tape, make dubs to VHS or DVD, and place them in sleeves with windows at the following prices (not including shipping):

tape length (no more than) cost each

5 mins. $1.75
10 mins. $2.25
15 mins. $2.75

We can also print custumized labels on each, if you like, for an additional $1 each.
dvd label

Minimum order: $50. 




Our Philosophy (some of it)


"PATIENCE, GRASSHOPPER . . ."

For those of you too young to remember, that line was made famous by the old TV show "Kung Fu".  As the young apprentice (nicknamed "Grasshopper") was learning from his Master, the Master was often heard saying, "Patience, Grasshopper."

We hear this a lot: "What's taking so long?  It only took me three weeks to get my last job!"

This time around, the competition will be more fierce.  The talent you're up against with will be better than the last time around.  Also, there won't be as many jobs that you'll be willing to take.  The higher the salary level, the fewer jobs.

Three things need to happen before the phone rings for you:

1) there needs to be an opening (and it needs to be in a market desirable to you)
2) they need to be looking for your "type" (gender, age, experience, hair color, build, skills, etc.)
3) they need to like your stuff (makes no difference how good you are, so this last one is totally subjective, NOT objective ).

Those are all things pretty much out of your control, but they are the major hurdles between you and the next job.  That said, concentrate on improving things which are within your control: writing, appearance, vocal skills, etc., and try to ignore all the market factors over which you have no control.

Typically, it takes us about three to four months to get you an offer that you really like.



Our Negotiation Only Services

Perhaps you don't need any coaching or job search services. Maybe you have an offer on the table and you just don't feel comfortable representing yourself. Call us about our negotiation services: 919-870-9121. For a one-time fee, we will attempt to secure the best possible deal for you. The one-time fee is 1% of the first year's salary.



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DCA FAQ (frequently asked questions)

Q: What's your placement rate?
A: We place 90% of our clients within four months. To do that, we need to be a bit selective in whom we choose.

Q: Do you specialize in Meteorologists?
A: No. Currently, about one fourth of our clients are mets. We don't specialize in any particular job category, nor do we specialize in any particular market size or location. We have clients in large markets and small markets, from Boston to Bakersfield.

Q: What do you look for when considering an applicant?
A: We ask ourselves two things:
1) has this applicant reached their ultimate level (or do they have the best job possible for their skills), and
2) do we have anyone like this person on our current client list?

Q: What is your commission scale?
A: It can vary from 1 to 8%, but never more than that. Our accountant tells us the average is between 4 and 5%. The numbers vary depending on such things as your salary, how long you've been with us, how long you've been at a particular station, etc. We never collect a commission forever and ever indefinitely. And, we do not take a full commission if you send out a tape yourself and end up getting a job from that mailing! If you re-sign at a station and you've been paying us a full commission, you pay us just HALF on the renewal contract. If you sign a third contract, you can retain us for just 1% or say "good-bye" forever.

Q: What if I already have an offer and just want you to rep me and negotiate the deal?
A: click here for the answer

Q: Why do I need someone to help me find a job?
A: click here

Q: Where do I send my tape and resume?
A: click here

Q: Could you please give me the names and numbers of a few clients so that I may talk with them about you and your services?
A: Absolutely. Email us and we'll send you that info: steve@davidcrane.com. Also, you can see some of our clients listed at TVJobs.com.

Q: Can you help me with an idea I have for a TV show?
A: Yes. Although we do not handle show "pitches" to network execs, we have a good Hollywood connection for you. Click here to send us an email and get his info.

Q: Do you help find work for models, actors or child models or actors?
A: No.

Q: What are your contacts like in the Midwest (or South, or West, or where ever)?
A: We do not specialize in any particular region. We have clients (and contacts) all over the country, from Los Angeles to Boston to Miami and all points in between.

Q: What if I send you a tape and you do not want to represent me?
A: We send you an email saying so.

Q: What do you want me to put on my tape to send to you?
A: Whatever you feel is a good representation of who you are and what you do. Or, if you've been sending out tapes to others, let us see that.

Q: What if you get me a job offer and I do not accept?
A: We keep trying.

Q: If you get my tape, am I automatically in contract with you for your services?
A: Huh? How does sending us a tape imply a contract between us? IF we sign an agreement to rep you, THEN you are "in contract".

Q: When you receive my tape, do you call me with a critique? For charge? For free?
A: We shy away from critiques of people we do not want to rep. We have found many people do not take well negative criticism.

Q: What is a typical market increase for your clients. For example: I am in market 199, can you get me a job in market 50, if I have the skills?
A: We don't think in terms of market size: we think in terms of money (or any other parameters you have outlined for us). An increase in market size does not necessarily mean a like increase in salary. We have placed people in small markets for six figures, and we have also placed people in top ten markets for $40k (and vice-versa, of course). Typical increase in salary is thirty to forty percent. Rarely does anyone double their salary, but it can happen, especially if you're making $40k or less.

Q: Is my tape sent out with your other clients on one big reel?
A: No. Never. You are the only person on your tape.

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DCA JOINS COLLECTIVE TALENT


In an effort to better market our available clients, we have teamed with Michaels Media in their innovative new effort called "Collective Talent". The online talent database launched in January of 2006 with support from major media groups and a number of talent representation firms. The new service is designed to give news managers quick access online to video and resumes of available talent --- all at just one Web site.

"There are 30 different talent agencies out there, large and small. Who wants to take the time to go to 30 different Web sites (that are all built a little differently) to start searching for talent?" says Michael Bille of Michaels Media. He feels news managers today simply don't have the time to do that.

"The idea that we are still shuttling VHS tapes (and DVDs) all over the country in our search, research and hiring process doesn't make sense anymore. There must be a better way," says Bille. People download music, buy books, airline tickets, and just about anything they want to online these days. "The whole world has migrated to the Internet," he says.

The project has been in the works for about 18 months. Bille and partner Michael Von Ende worked with agents and station groups to develop an online system that would meet their needs. Bille compares Collective Talent to the Multiple Listing Service used by realtors. The MLS collects all the properties listed with brokers in a particular area into one big database. "No matter what realtor you use, you have access to all the homes listed in your community," he explains. "In the beginning, some real estate companies were wary of the idea. They felt they knew their business and they didn't want to share the information with others. They soon found out if they were not part of the MLS, they were missing out on business," he adds. Bille says he is doing the same thing with talent. "We are creating an MLS for the talent business. The talent agents are like the realtors and the TV stations are like the home buyers," he explains. Agents will bear the majority of the cost, just like the real estate agents bear the cost of the MLS. The TV stations will get the basic service free. A premium service will be available in coming weeks for a fee. "The station executives will have the ability to post jobs and have the agents respond to those jobs at no cost to the station," says Bille. The site will also have the ability for stations to post "blind box" ads, so managers can look for new talent without making it general knowledge.

The process begins by a station posting a job opening. It can be a detailed description with an anticipated start date and station contact information. Station managers and news directors will have a user name and password and can log into the database. Job postings are sent to all of the agents in the system. Agents respond by sending a client resume, a QuickTime video file, and a personal note with additional information, such as when the talent is available. On the station's personalized talent portal, the manager can review videos and resumes sent to them and post or remove job listings. On the talent review page, the manager can track which clips they've viewed and assign an icon that indicates their level of interest. On the talent's full profile page, the manager can write notes about the talent and send the agent an e-mail requesting more information or tapes showing more of the talent's work. On the agent's account page, the positions open are listed with the name of the person at the station to contact. Whenever a station executive clicks to view a video, the agent is notified with an e-mail alert. One of the most time-consuming aspects of a talent agent's business is making numerous calls just trying to find out if a news director has looked at a tape yet. With this, the agent knows right away when the video is viewed. Eventually, there will be a portion of the site for students graduating from journalism schools to post their tapes twice a year.

"There will be a system in place for the smaller markets that have the majority of their staffs not represented by talent agents. They will be able to connect with graduating students in an electronic format," Bille says. For a fee, students and non-represented talent will be able to access the site's job listings. However, they will not be able to post a resume, attach a video clip or contact the station directly. Those features are reserved for the agents who are supporting the service. DCA clients will benefit from this service at no extra charge.

Although the expense to join Collective Talent is hefty, we believe this innovative idea has the potential to become an industry standard. We are hopeful that our participation at the inception will reap great rewards for us and our clients.

Click here to see the Collective Talent website.



We are not the best fit for doctors or lawyers who do some TV now and want to do more.  Please do not contact us.  Our business is more "meat and potatoes": Anchors, Reporters and Meteorologists.


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DCA
Raleigh, North Carolina

TV news talent agents job placement employment agency tape duplication